The God Who Sees

When Hagar fled from Sarah's wrath into the wilderness,

God moved an angel to come down and ask of her distress.

"I'm running from my owner's wife, whom I can never please."

She knew not yet that she had come before the God who sees.

 

The angel told her to return, that in God's great design

The son she bore would be the first of his prolific line.

She wondered how this Lord could give pronouncements such as these;

And in her wonder named this Lord to be the God who sees.

 

A woman drawing from a well was called out for a drink;

Samaritan woman, Jewish man - she knew not what to think.

She questioned him, and his replies left her so ill at ease;

She knew not yet that she had come before the God who sees.

 

She knew he was a prophet, yet he clearly was much more;

He told her everything she'd done in all her life before.

She wondered how this man could give pronouncements such as these;

And in her wonder knew this man to be the God who sees.

 

 

TEXT: Charles Spence Freeman, June 2026, after Genesis 16 and John 4.

MUSIC: Tune RESIGNATION, USA folk melody, Lewis's Beauties of Harmony, 1828.

 

 

In a session on neglected figures in hymnody (as in hymns about, not writers), the subject of biblical women inevitably came up. Of those women somehow Hagar, the servant girl of Sarah's who got rather badly treated, formed a couple of stanzas of a hymn and wouldn't let me put it aside. Then out of nowhere the woman at the well in John 4 (who wasn't even mentioned in the session) showed up saying "hey, what about me?" Since both had the experience of being uniquely seen by God, it worked well enough to make a hymn. It might not be finished, but I need to let it settle for a while. 

 

 

 

O Lord of our ancestors

"O Lord of our ancestors, are you not God above?

Are we no more your people? Have you withdrawn your love?

Do you not rule the nations? Is your great power not true?

We know not what to do, Lord, but our eyes are on you."

 

"You gave your faithful people a sanctuary place,

A land where we could live safe and covered by your grace.

Now enemies surround us, their hate and bile they spew;

We know not what to do, Lord, but our eyes are on you."

 

That cry of ancient Judah we feel again today,

Beset by vain indifference, or hatred holding sway.

How do we stand against these, and yet to you stay true?

We know not what to do, Lord, but our eyes are on you.

 

 

TEXT: Charles Spence Freeman, July 2026, from 2 Chronicles 20:5-12

MUSIC: Tune PASSION CHORALE, Hans Leo Hassler 1601;

                  harmonization Johann Sebastian Bach, 1729.

 

 

After a sermon heard at the Presbyterian Association of Musicians' Worship & Music Conference, Montreat Conference Center on July 1, 2026 (preached by Brian Blount, president emeritus of Union Presbyterian Seminary). Yes, the sermon was on 2 Chronicles 20.

 

 

 

 

When they saw their Teacher lifted

When they saw their Teacher lifted far above all human sight,

Still they stood, still gazing upward, filled with wonder and with fright.

"Alleluia, alleluia" on their lips did not seem right.

 

Then two men were standing by them, robed in white; they asked them this:

"Why do you stand gazing upward? What do you think is amiss?

Alleluia, alleluia! Christ will come back just like this!"

 

So they turned and headed homeward to Jerusalem to stay;

In the upper room they gathered there to meditate and pray,

Alleluia, alleluia! Waiting, watching for that day.

 

 

 

TEXT: Charles Spence Freeman, May 2026, after Acts 1:9-14.

MUSIC: Suggested tune LAUDA ANIMA (Andrews), Mark Andrews, 1930.

                Given tune LAUDA ANIMA, John Goss, 1869.

 

 

 

I have written two hymn texts for Ascension, whatever day it might be observed. This one is Ascension-ish, but is more strictly from the reading for the seventh Sunday of Easter, year A. As for the suggested tune, it's one I like a lot and wish would be used more often, but the more common tune is given here. I will make a version to the Andrews tune as soon as I have time.

 

 

 

The God who made the world

The God who made the world and everything therein,

Who is the Lord of heaven and earth since all time did begin;

 

This God lives not in shrines built up by human hands;

The One who gives us life and breath beyond such walls expands.

 

The nations all God made to live across the earth,

And set their times and places, too, so they might seek God's worth.

 

In God we live and move and have our being all;

For we are God's own offspring, too; so let us on God call.

 

 

 

TEXT: Charles Spence Freeman, April 2026, after Acts 17:24-28

MUSIC: Suggested tune ST. BRIDE, Samuel Howard, 1762.

 

 

A text drawn from Paul's speech at the Areopagus is the basis for this fairly simple hymn, hopefully suitable for Easter 6A. It should be fairly adaptable to other short-meter tunes. 

 

 

 

  

Now Christ's peace be with you

Refrain:

Now Christ's peace be with you,

And again Christ's peace be with you;

As the Father sent Jesus,

Even now, know that he sends you,

Now Christ's peace be with you.

 

Let the Holy Spirit come

Into all your soul and being.

If their sins you're forgiving,

They can know their sins forgiven.

 

Refrain

 

Is it only when you see

That your heart becomes believing?

Who believes, though not seeing,

Truest blessings are receiving.

 

Refrain

 

 

TEXT: Charles Spence Freeman, March 2026, after John 20:19-31.

MUSIC: Tune WILD MOUNTAIN THYME, Irish melody (arrangements vary).

The "doubting Thomas" account in John 20 has never cooperated well with efforts at making a hymn. In this case taking some of Jesus's words to the disciples and then to Thomas offered a route to what might serve as a hymn of instruction, in a way.

 

 

 

Rise Up

Rise up, old bones, return to life,
Take sinew, flesh, and breath;
Give witness to the power of God,
A power that overcomes death,
A power that overcomes death.

Rise up, dear friend, return to life,
No longer in the grave;
Give witness to the love of God
That drives a Savior to save,
That drives a Savior to save.

Rise up, old church, return to life,
No longer drowned in fear;
Give witness to the word of God
The world refuses to hear, etc.

Rise up, my heart, return to life,
No longer bound in sin;
Give witness to the grace of God
And let a new life begin, etc.

 

TEXT: Charles Spence Freeman, April 2014; MUSIC Tune DOVE OF PEACE, American folk melody 

 

Suitable for Lent 5A, both the dry bones and Lazarus represented. 

 

  

LIve as children of light

Refrain:

 

Live as children of light -

Live no longer in the darkness.

Turn away from the night;

Be no longer cold and heartless.

Live as children of light.

 

Seek to find out how to live

As is pleasing to our Savior;

Seek your whole life to give,

Both in word and in behavior.

 

Refrain

 

Shine a light on shameful deeds,

Things too dark to say or to do.

Sleeper, wake from the dead,

And our Christ will shine upon you.

 

Refrain

 

 

 

TEXT: Charles Spence Freeman, March 2026, after Ephesians 5:18-24

MUSIC: Tune WILD MOUNTAIN THYME, Irish melody

 

 

I floundered badly trying to develop a hymn text on the gospel reading for Lent 4A, from John 9. The epistle reading was far kinder to me, as epistle readings often are. The choice of an Irish melody so close to St. Patrick's Day (which is a two-week holiday for someone who grew up in Dublin, GA) was not intentional; it's just a really good tune.

 

A woman who came to the well

A woman who came to the well for some water

found someone she did not know;

a man sitting there all alone with no pail, and

wondered why he sat there so.

As she drew out water and then turned to go,

he said to her "Give me a drink."

The Samaritan woman was thrown for a loss

and she no longer knew what to think.

 

"How do you, a Jewish man, speak to me here,

much less ask me now for a drink?"

"If you knew who I was,!" you surely would ask me

for living water, I think."

"Sir, give me this water, I ask you, so I

would never need come here again!"

But he told her, "Go, call your husband" as if

he did not know her history with men.

 

She knew that he must be a prophet, at least,

yet questioned him more, nonetheless.

He answered her more and with prophetic vision,

and still she continued to press:

"I know the Messiah will come to us all,

and proclaim all things that will be."

And he said, "Do you see I am here talking to you?

Yes, I am the one; I am he."

 

She ran to her village to tell all the people

"There is a man you must see!

He told me of everything that I have done!

Could he the Anointed One be?"

They came and they heard and believed every word,

and asked him to stay two more days.

And so, this one Samaritan town knew the wonder

of Jesus and his saving ways.

 

 

TEXT: Charles Spence Freeman, March 2026, after John 4:1-45.

MUSIC: Tune SAMANTHRA (MAJOR), American folk melody, alt.

 

 

A hymn on the "woman at the well" story, tightened up just a little bit (the disciples get left out). Those who pay attention to the tunes chosen for these texts will note that this American folk tune, found in Glory to God at #77, is here flipped to major instead of the minor tune as it appears in the hymnal. Will probably need some polishing in the future, but it does fit to Lent 3A, so here it is just in case.

 

 

  

 

You are the salt

You are the salt of God's earth,

to flavor and preserve.

But if the salt is tasteless,

what purpose does it serve?

  

You are the light of God's world

that cannot be concealed; 

A light that shines to all, so

God's glory is revealed.

 

The law is not abolished,

but Christ comes to fulfill; 

Not one word will be stricken

from God's own holy will.

 

Be salt and light in God's world,

show Christ for all to see;

The work of holy witness

is up to you and me.

 

 

TEXT: Charles Spence Freeman, February 2026, after Matthew 5:13-20.

MUSIC: Tune CHRISTUS, DER IST MEIN LEBEN, Melchior Vulpius, 1609.

 

 

A hymn for the fifth Sunday after Epiphany, also picking back up after an unplanned hiatus. 

Then Jesus came from Galilee

Then Jesus came from Galilee to be baptized by John,

Who in the Jordan's rolling flow did baptize those who came.

But John did question whether this request he should act on;

"You should baptize me here instead, in your own holy name."

 

But Jesus answered "Let this be, for this is right to do

To fulfill this one righteous call for all the world to see."

Then John consented to this task, in trust that Jesus knew

That he should carry out this work and what his role should be.

 

And then once Jesus was baptized and then raised up again,

He saw the heavens opened up and down the Spirit came.

Alighting like a dove, the Spirit cried out through the din,

"This is my Son, Beloved One, who goes forth in my name."

 

 

TEXT: Charles Spence Freeman, December 2025; after Matthew 3:13-17

MUSIC: Tune KINGSFOLD, English Country Songs, 1893; harmonization Ralph Vaughan Williams, 1906.

 

 

A reworking of a hymn from almost two years ago, written to suit the account of Jesus's baptism in the gospel of Mark. Matthew's account goes into rather more detail than Mark's but the basic structure still worked. 

The disciples saw the Temple

The disciples saw the Temple, beautiful, with massive stone.

But their Master spoke of ruin; broken, shattered, razed and gone.

So they questioned Jesus sorely, wondering when such times might be;

And he gave them this in answer, teaching them that they might see:

 

"You see wars and insurrections; these will come, this is for sure;

See these earthquakes, plagues and famines, such disasters to endure.

You will all see persecution, prisons, trial by would-be kings;

I will give you words of answer when you undergo these things."

 

We may read these things and wonder how such times sound like our own;

Scorned by families, friends, and neighbors, feeling lost and all alone.

Still our call is to endurance, pressing on the upward way, 

So that we may still be standing, true and faithful on that day. 

 

 

TEXT: Charles Spence Freeman, November 2025, after Luke 21:5-19.

MUSIC: Tune BEACH SPRING, The Sacred Harp, 1884

 

 

Preliminary reading on a forthcoming lectionary reading led to this hymn. It wasn't my intention to observe parallels to our current time, but some such things may have slipped out. And yes, a snippet of the old gospel hymn "Higher Ground" did sneak into the final stanza. 

 

 

Come, holy God, and write your law

Come, holy God, and write your law upon our failing hearts;

Come be our God, yea, you alone,

And let us be your very own,

Down to our inmost parts.

 

Come, living Lord, and to our souls make your true presence known;

No longer bound to teach or call,

For we will know you all in all,

Our distance from you gone.

 

Come, God of covenantal grace, and in your grace forgive;

Wash out our sin forevermore,

To fester in our souls no more.

In hope now let us live.

 

 

TEXT: Charles Spence Freeman, October 2025, after Jeremiah 31:33-34.

MUSIC: Tune REST, Frederick Charles Maker, 1887.

 

 

Unlike usual dry spells, between the new church and piecemeal relocation my brain has been overstuffed with hymn ideas that haven't had room to materialize. Finally a bit of time opened up and (as happens only rarely) a scripture from which I am not preaching pulled itself together into a text I could set. Sometimes the hymn-writing impulse has to be pushed just a little bit. 

I give thanks to my God

Refrain:

I give thanks to my God

Every time that I remember

All your love for the saints

And your faith in our Redeemer

I give thanks to my God.

 

Verses:

Let the sharing of your faith

Be effective for our Savior

When you see how that faith

Works for good in all endeavor

 

Refrain

 

Now in love you know to do

For the "useless" ones among you

How to love and accept

As a sibling, not a stranger

 

Refrain

When we welcome those who come

With no status, power, or favor

Then our faith shows that love

Is the way of Christ our Savior

 

 

TEXT: Charles Spence Freeman, August 2025

MUSIC: Tune WILD MOUNTAIN THYME, Irish melody

       (Note: The tune is public domain but harmonizations or arrangements may vary 

        and may be under copyright.)

Yep, it's a hymn on the book of Philemon. Not an exact paraphrase, by any means (I mean, I hope you don't have people in your pews who have to be told to set their slaves free), but hopefully drawing a lesson from it. The word in quotation marks refers to Paul's play on the name Onesimus in verse 11.